Finally started documenting Waqqaz in the same style as the others. See it here

Code: Foetus 4

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Remocarpet

Doomage inspired track based on a repeating C-A-E chord sequence played in 4/4 so that the chords appear to “rotate”.

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1078-1082

Doomage creation. Strangely vocals with spooky spoken words added by Doomage

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Oh Blasé

Doomage inspired chords and words. Strangely edited words to fit. First played live at an open air gig at Nenthead where it lasted about half an hour.

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Fatso Died And Likes It

Simple tune, very soon written as a vehicle to transport football piss-take joke words. It starts fairly hard and then drops for the amalgam of poorly heard football commentary rising to another climax.

After the first serious mix-down we all sat down to watch the TV with this track in the background. The news was on with the Heysel disaster, almost live.
The news item lasted the length of the track and was a perfect audio accompaniment to the terrifying scenes. The hairs rose on my arms for that.

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Trouty Hobin

Very disturbing. The madness starts here.
Holly created chord structure then everyone added a bit. Doomage created keyboard chords at end which Strangely played. Everyone seemed to switch places both playing and inventing the parts with this one.

Since reworked by Holly as “The Punk Trout” as output for his current project, The Symptoms.

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Comrade Dolphin

Strangely inspired to investigate what would happen with two notes a fourth apart changing to another two so that the low one goes down a semitone and the higher up a semitone, thus producing a fifth. Progressed  to completion while Strangely was in France and very nice it is too. Strangely intends to do it again with the original “hard” version in his head.

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Reg Vase

Doomage creation and one his finest in the opinion of the author. He spent about a fortnight working out every note for the multi-layered guitar-based track. Words added by Strangely for variety. They spell EYES by design.

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The White Sybil

Holly based track (inc trumpets!). Strangely synthesiser is two-tracked with two notes tuned by ear EXACTLY a perfect third apart, with levels adjusted to suit. This gives the strange sound as usually the normal third would be used which is slightly atonal but our ears are accustomed to it, hence the perfect third sounds odd. This coupled to exactly the same notes on the organ makes it quite weird.

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Yoni Suchon

Strangely originated. Doomage words (Yoni is rude, tut tut). Strangely plays keyboard through fuzz/VCA/echo as standard. Guitar power chorus. “Tengo mucho beber” is Strangely’s poor Spanglish for “I’ve had too much to drink”

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Curling Sandwiches

Doomage main vocals on a joint creation(?). Multi-tuned synth goes through VCA for plinkity sound. Pinky and Perky on guest vocals.

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Netwilf

Holly creation from Nothin’ days slowed right down for this effort, one of my favourite pieces.
Pamela’s Vile refers to Palmersville outside North Shields.

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Bosumptwi

Doomage creation. We never could find any vocal inspiration for this one without being corny.  Later tapes may have some.

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I Must Be Ambidextrous (I Can Smoke With Both Hands)

Holly music and words creation. The words refer to a (working) holiday he had in France when he ran out of dosh and was so hungry he seriously considered eating a packet of Henna hair dye he found on the street. Strangely’s harmony vocals made Holly smile.

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Comrade Dolphin (Reprise)

- pretty obvious from the title really.

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Me

Looking down, I saw that you are bleeding(,) awful.
Beginnings forgotten - the parts are a joint effort.

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I’ve received some extra information from Holly today with some extra photos that should be a bit interesting for those of a historical bent! Any descriptions are left to right.

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Van to nowhere. Strangely, Sue,Haircut, Clinka, Doomage

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In the back of a Manchester club (Electric Ballroom I think), waiting to find out which one.Holly and Eddie Fenn (Fatso) in photogenic mode, one of his finer poses.

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Typical Holly pose (mmm, nice top.) Foetus drape behind.

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Doomage & Chrissie. Angst. Something’s gonna happen soon here…

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Strangely and Doomage. This was a New Years gig down near Lampeter/Tregaron. Some guy from Hawkwind was there passing the joints around, which was nice. We slept in a farmhouse and I think this is us going for a walk in the morning.

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Newcastle University outdoor lunchtime gig. This is not long after Holly joined as I can spy a Wem Copycat. Hence the twiddling.
People are Holly, Billy Connolly (Gordon)(famous for drinking the warm piss in a beer can and not noticing), Strangely, ?, ? , Curly (Ligger) Jhon, ? .

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Pub liggers, let me know who you are..
I’ve got ?, Sally(prob), ?, ?, Bingo (Gareth), ? ,Maxine, ?

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Strangely Perfect pretending to be a tree. Hard to bear, hard to bear.

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Code: Foetus 3

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Gygno

Holly created guitar and bass. Bass was played by Doomage on this, Holly guitar. The rinkity-dinkity synth and plain distorted organ solo were added by Strangely with words and the original singing from Haircut. But we got fed up with his singing so Strangely did it, better. Certainly on this one. Gary invented the fantastic drums instantly. It’s a very precise piece with thrashing guitars mixed well back from the starting noise and stuff. Strangely uses the proximity effect on the microphone and stressed sibilance on the tape-echoed vocal. Doomage set the bass guitar sound up brilliantly and the drums come through nicely, especially the toms.

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Urbane Encounter

Doomage riff inspired. Strangely orchestrated.
Nightmare in Eldon Square Shopping Centre. Played at virtually every gig. Took 3 years to record properly…Laziness I guess.

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Wee Jimmy (Part II)

Strangely made. Re-jigged for daftness.
EFS kind of piece. Fairgrounds and Tom & Jerry are in this as well as classical diminished descents. Jim from Derrim let us down with his tape deck. So he got a daft tune named after him.

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Worms

Originally created as a jam Doomage guitar jam voiced over round his mum’s place by Strangely who didn’t have any instruments or gear at the time. Developed and recorded at the Pits using special one-hit super-stereo echo on the drum toms as an experiment. I can smell the worms coming, Hah!

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The Katrina Syndrome

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Friends

Created by Strangely with extra clangy Crawling Chaos additions. Originally derived as a cross between “”Baby You’re so Repulsive” by “Crime” and “Andy Warhol” by David Bowie. Samples to compare are here.

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Jhonn’s Angel

Doomage invention.
The vocals can be approached in many ways. This is one way.

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The Vulva Boatman

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Fraüline Le Moîne

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D.S.S.

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Skaill

Neat jam played twice, one at 2x speed. Stopwatch timed to finish concurrently. PLAY LOUD.

From an atmospheric and powerful jam between Doomage and Strangely.
It was so good that the only addition needed was itself speeded up two times. It was copied onto another tape and then the fast one started at the correct time to finish concurrently with the slow (normal) one using a stopwatch. EQ and volumes were adjusted to suit the feel and pace. The piece sounded sea-like and Orkadian or Skerry-ish tied to the sound of ages. We pulled the right-sounding title from an atlas of the Orkneys, which is here. It’s quite close to Skara Brae.

I’ve turned the bass up even more here. It’s almost impossible to get it to sound like the PA in the room otherwise.

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As mentioned elsewhere, this was released by Factory Records with their mistaken name of “The Gas Chair”. The band thought they were very clever getting a title as an anagram of the band’s name. There were several and the plan was for each to be used for a different LP release. After the first fuck up, we didn’t bother.

Code: FACBN 6

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Macabre Royale

Recycled “Newspapers” (original lyrics on lyrics page). Slowed down and effected reworking of a Doomage creation, sans words.

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Creamo Coyl

E.F.S. Union of “Out of the Blue” and a Nothin’ track.
Obviously a piss take. Started off with Strangely tooting on keyboards the chords to “Out of the Blue” by Roxy Music. Holly said he had one like it so we put the two together. Afternoon TV full of VO5 and Pantene Pro with micro-vitamins adverts shows this tune to be a premonition.

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Left Hand Path

–almost an E.F.S. but what’s being forged?

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Guinness

Definately an E.F.S.

Gary and Jeff’s vocals emanate from an interstellar bar not far from the Arsenal. I’ve always been very wary of noodles since this.

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Arabesque

Actually an E.F.S.

Strangely created. Tune is arpeggiated Adim and Ddim hence Arabian sounding, hence the name. Haircut made up a few words. The tune was made on Strangely mother’s dining room table while testing the R1 and R2 combination. He was experimenting with fuzzed Adim, trying to get Aelonian and Dorian sounds. But it ended up Arabic… This mix has the snare drum alone using the long hallway at The Pits as an echo chamber again, with the other channels using our normal tape echo where appropriate.

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Harry

Harry Secombe’s coming to tea. Holly creation. Woke up after a weird dream thinking that the now deceased portly comic and singer was arriving that day. For tea.
He invented this before he took drugs. It was a much loved and valued addition to the Crawling Chaos repertoire. We made a fortune doing this song again and again a charity collection in the streets of Morpeth. Me on vocals and mouth piano thing, Holly on guitar and a couple of others on bucket collection duty.I still play this every week; I love it!

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Disierta Membra

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Canadian Pacific

E.F.S. le grand plus en plus.
Doomage inspired creation with Strangely. Doomage & Strangely lyrics (for what they’re worth!) American gloomy country piss-take. Nice and short, fortunately. Aaah ma baabeez gorn and left me…

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Breaking Down

Neat. Distinctive.
E.F.S.

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Code: FOETUS 0001

What’s Your Noise

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Fuel For The Blonde Ethiopian

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Taste Of Honey

A fairly straight rendition of a classic. Loads of 7th’s.

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Mummy’s Tummy

Doomage creation with Mackie vocals. I don’t think we ever did it live.
Fast flanged vocals, fuzz bass, large depth VCA’d keyboards. Pretty daft. More a vehicle for Mackie to relieve himself of some bizarre fantasy.

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Valium B

School hymn reworked - why not?

Paul sung. The rest is normal Crawling Chaos fiddling. We did have plans to do a few more as a package to upset the “Songs of Praise” mob.

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Ashen

Ashen fay-ace!

Basic structure was a Doomage invention, worked up by the other band members.. Single note keyboards on top with bass & drums. Unusual musical phrasing. Haircut words. The words in Ashen are based on Haircut and Holly’s observation of the bartender in a pub in Backworth called “The Deuchars“. The barman had really greasy, lank straight hair that clacked when he bent over to collect empty glasses. The Deuchars pops up in a few places. We never did get the Dyke Neuk fitted in anywhere. Anyway, it’s too posh now.

Ashen was in the set for quite a few years.

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Tom’s Bum (There’s)

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Stinging Gnats

Doomage inspired. The essence was to have each instrument do a closely related, simple and repeating phrase, each on a different time signature but in the same key. Every so often the music is in phase and true harmony. This is broken up with a standard block chord middle eight prompted by Gazza on drums so each “verse” is of indeterminate length, done on the nod.

This was in the set for years.

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Heavy Lovin’

E.F.S. -which nobody can deny, which nobody can deny.

Heavy metal piss-take. Includes all the usual crap like riffs, solos, namings. A key part of the sound was Strangely’s use of a long hallway at “The Pits” with a cheap guitar amp at one end and a mike at the other. This was the Echo Chamber. Strangely gave it a go after reading how studios did echo in the old days.

The live feed was fed through the amp and re-injected into the mix from the mike. Then this was continuously varied to get a live feel of the audience moving around and the PA mixer guy constantly battling against feedback. It is exactly what gigs sounded like at the “Mayfair”, Newcastle in the 70’s. They’re still doing it now in the pubs round here. Anth played on this and thought it was real.

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The Mongolian Steak Bar

Strangely created. Comes from the verse intro of the Rod Stewart song, “If You Think I’m Sexy” mated to a few key Rachmaninov key changes. Fizz guitar works but Holly’s bass doesn’t. I just don’t think it should be a bass guitar, that’s all. Will redo bass part with a breathy bass saxophone and low bass keyboard rumbles.

When this tune was named, the name seemed pretty wacky. Since then there has been a Mongolian Restaurant down on the quayside in Newcastle for some years. However, at the time of recording, you went down “The Side” to the Quayside at night in pairs at least and there were only the “Crown Posada” and my auntie’s pub, the “Newcastle Arms” right under the Tyne Bridge. The back alleys were really dodgy. Now they are trendy housing developments. You should see it…

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Voedoux

Joint creation of Doomage and Strangely. Each had virtually the same effects. Importantly, a VCA/VCF with separate input and output for the internal LFO VCO. Also, a VCA fuzz box so that an input voltage would modulate the degree and tonality of fuzz.Each persons VCO LFO output was connected to the other’s VCA/ VCA-fuzz input.
Then the VCO speeds were set to be close but not exact so that long period beat frequencies were initiated. The input sensitivities were turned right up to amplify internal noise. Then the outputs were sent through the mix with lots of cross-echo for each heavily panned source and a bit of extra bass to get a better thump noise…It is a helluva good rythmn. The plan was to do loads more like this. Percussion and screeches/shrieks were added on top to add a bit more atmosphere. The name is a pseudy rendition of Voodoo, pronounced the same.

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Tell Me Why

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East Of West Allotment

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Suck

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One More Peso

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Mr Sympton left a message (so ta for that) correcting my impaired hearing and memory over the lyrics for Ashen. Fuck me, for years I thought Paul sang summick else!

This has been done. However, as part of the update I found that the links from the posts weren’t updating properly on the lyrics page, so I’ve put the old lyrics page back, even though I didn’t want to use it as I can’t get anchors to work on it like they do on plain HTML. This has left a bizarre situation for postings that I’m too tired and not really bothered to fix at the moment. It’s not unsurmountable, it’s just getting a handle on all the mySQL database/php/code/theme interactions I guess. zzzz

The site has now totally moved across to a WordPress operation. Music and links are nearly all sorted out. I’m going to get the song lyrics set as separate postings to make future indexing easier. Probably have a better linking, playing and info structure in place as well for all the spurious information. Using the backend databases to support everything is a much better way to do stuff than mixing the content and presentation. I still have much to learn, especially with regard to details of presentation and using the correct standards-compliant code.
All domain hosting is managed in-house now. I’m not reliant on third parties. If the hosting company goes under it’s a simple job to hop off somewhere else! I’ve space to host four more totally independent domain structures - wahay!

Continuously Streaming Audio of Selected Tracks

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Starts with a random song and continues…(you’ll need flash)

The words of Loofahs finally don’t make sense any more! This is a message from Ian Hope, Customer Service Manager for Arriva transport.

Thank you for your enquiry.The 442 service has been rerouted and curtailed so as to operate between North Shields and New Hartley. It has also been renumbered 12.
To view the timetable, go to www.lovethebus.co.uk (click on your buses then North Tyneside).I hope this is helpful.

Ian Hope
Customer Service Manager