Sex Machine/Berlin

Code: FAC 17

Original Factory front cover for Sex Machine


Sex Machine

By The Amazing Crawling Chaos

1 hr jamming, 30 mins lyrics brainstorm and 3 months gestation created the “Factory” favourite, pop-pickers. Basic drive created by Strangely during a jam one night using fuzzed LFO-controlled VCA‘d keyboards. After a few minutes Doomage had generated the killer guitar tune to go with it – a work of genius as it lends itself very well to multiple overdubs. The tune stayed like this for a little while when it was decided to add some words and do it properly. On the final released version, this involved a serious amount of guitar overdubbing and a few extra keyboard bleeps. Words added by Strangely, Doomage and Errol. Fatso thought of the first line “I’ve got a brand new pair of genes”. The lyrics “pinch” heavily from the “My Mum” song by Dudley Moore on the “Derek and Clive Come Again” record. They started off as a prediction based on scientific progress and the natural human proclivities towards sexual enhancement(s). Our initial idea was that amputees and the like could “grow” new limbs or organs to replace damaged ones in the same way that a cell, containing all the info needed for a person, changes into a foetus and then a human being. There must be something that stops human cells doing this as salamanders can grow new tails and the liver can regenerate when only a third is left. In the pub this soon degenerated into the words as they are and what would probably happen. The words are now becoming true as scientific fact, first as gene therapy and very soon now, as gene modifications and designer babies become commonplace, as a “natural” way to enhance the sex organs. After all, all men want bigger cocks and all women want bigger tits and smaller bums. It’s what we are..  However, it was a close run thing that the tune could’ve been based on Joan Crawford as we were quite fond of that track at the time as well.


Berlin

By The Amazing Crawling Chaos

Live recording. I’m not sure if it’s an early one done at The Bridge, Newcastle or a later one there or somewhere else. I remember a tape getting accidentally erased so that some plans had to be revised and decent stuff had to be done again. I’m 100% sure that beer was involved…

It’s a very simple piece that demonstrates the kind of jamming that was done live within a basic structure that could go on for any amount of time. For live recordings, most of the studio equipment would go on stage with the tape decks being used in innovative ways, different to their normal studio usage.

One thing IS for sure though – Ian Curtis of Joyce Division would never have volunteered his services to sing with Crawling Chaos.  It was indeed Strangely Perfect wot done it, guv.

© 1976-2017 Strangely Perfect for The Crawling Chaos All Rights Reserved

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