Last updated on January 31st, 2018
Code: Foetus 4
Doomage inspired track based on a repeating C-A-E chord sequence played in 4/4 so that the chords appear to “rotate”.
Doomage creation. Strangely vocals with spooky spoken words added by Doomage
Doomage inspired chords and words. Strangely edited words to fit. First played live at an open air gig at Nenthead where it lasted about half an hour.
Fatso Died And Likes It
Simple tune (at least for me, SP), quickly written as a vehicle to ridicule the TV-led hype that surrounds football.
After the first serious mix-down we all sat down to watch the TV with this track in the background. The news was on with the Heysel disaster, almost live.
The news item lasted the length of the track and was a perfect audio accompaniment to the terrifying scenes. Surreal creepiness and silence followed.
Very disturbing. The madness starts here.
Holly created chord structure then everyone added a bit. Doomage created keyboard chords at end which Strangely played. Everyone seemed to switch places both playing and inventing the parts with this one.
Since reworked by Holly as “The Punk Trout” as output for his current project, The Symptoms.
Strangely inspired to investigate what would happen with two notes a fourth apart changing to another two so that the low one goes down a semitone and the higher up a semitone, thus producing a fifth. Progressed to completion while Strangely was in France and very nice it is too. Strangely intends to do it again with the original “hard” version in his head.
Doomage creation and one his finest in the opinion of the author. He spent about a fortnight working out every note for the multi-layered guitar-based track. Words added by Strangely for variety. They spell EYES by design.
The White Sybil
Holly based track (inc trumpets!). Strangely synthesiser is two-tracked with two notes tuned by ear EXACTLY a perfect third apart, with levels adjusted to suit. This gives the strange sound as usually the normal third would be used which is slightly atonal but our ears are accustomed to it, hence the perfect third sounds odd. This coupled to exactly the same notes on the organ makes it quite weird.
Strangely originated. Doomage words (Yoni is rude, tut tut). Strangely plays keyboard through fuzz/VCA/echo as standard. Guitar power chorus. “Tengo mucho beber” is Strangely’s poor Spanglish for “I’ve had too much to drink”
Doomage main vocals on a joint creation(?). Multi-tuned synth goes through VCA for plinkity sound. Pinky and Perky on guest vocals.
Holly creation from Nothin’ days slowed right down for this effort, one of my favourite pieces.
Pamela’s Vile refers to Palmersville outside North Shields.
Doomage creation. We never could find any vocal inspiration for this one without being corny. Later tapes may have some.
I Must Be Ambidextrous (I Can Smoke With Both Hands)
Holly music and words creation. The words refer to a (working) holiday he had in France when he ran out of dosh and was so hungry he seriously considered eating a packet of Henna hair dye he found on the street. Strangely’s harmony vocals made Holly smile.
Comrade Dolphin (Reprise)
– pretty obvious from the title really.
Looking down, I saw that you are bleeding(,) awful.
Beginnings forgotten – the parts are a joint effort.